The van Eycks started their careers as manuscript illuminators. The often miniature detail and exquisite rendering found in van Eyck paintingsm such as the Annunciation, reveal a strong affinity with this art form. However, the single factor that most distinguishes the van Eycks from the art of manuscript illumination was the medium they used. For many years Jan van Eyck was wrongly credited with the “discovery of painting in oil”. In [ Read More ]
As we look at the Annunciation, we become warmly conscious of the gentle radiance of the light, illuminating everything it embraces, from the dim upper roofing to the glancing gleam of the angel’s jewels. The clarity would be too intense were it not also soft, an integrating, enveloping presence. This diffused presence, impartial in its luminescence, is also a spiritual light, surrogate of God Himself, who loves all that He [ Read More ]
Timeline: Gothic Innovation in the North Eyck, Jan van (b. before 1395, Maaseik, Bishopric of Liège, Holy Roman Empire . before July 9, 1441, Bruges), Flemish painter who perfected the newly developed technique of oil painting. His naturalistic panel paintings, mostly portraits and religious subjects, made extensive use of disguised religious symbols. His masterpiece is the altarpiece in the cathedral at Ghent, the Adoration of the Lamb (1432). Hubert van [ Read More ]