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See the previous article on this link. Managers of the Tbilisi Opera Theatre were well-versed in advertising business. They enlisted the services of a certain Abela, whose surname did not go down in history. Abela was the tallest man in Tbilisi in the second half of the 19 th century and his rise to fame was due to his extraordinary height. Abela figures in a novel by Armenian artist Bashinjaghianz.  [ Read More ]

The first part of the article are available here. Visit this link to see the second part of the article. Their main concern was for the way to get extra tickets because every citizen of Tbilisi, notwithstanding his or her national or religious, cultural or social diversity, seemed determined to press on to hear “La donna e mobile” right from the stage. From the stage because in the streets opera  [ Read More ]

The beginning of the article: Georgian culture and art. Part 1 The opera was meant to be ltalian. lt fell to the merchant Tamamshev to build an opera house. According to newspaper reports, he bought a plot of land from the Tsitsishvili Estate “for two smoked sturgeon and two pieces of fabric”. The Armenian merchant weakened into absolute misunderstanding at the miserable price Prince Tsitsishvili asked for the land. But  [ Read More ]

Georgian Fund of Culture

GEORGIAN FUND OF CULTURE THE LABORATORY FOR FIXATION OF GEORGIAN RELICS OF THE PAST AND HISTORICAL MONUMENTS. THE MONUMENTS OF THE ANTIQUITY ARE OFTEN CALLED MUTE WITNESSES OF THE PAST. LOOK, ARE THEY MUTE ?! THEY SPEAK, TALK, NARRATE. COLOUR HARMONY OF THE ICONS AND FRESCOES, AUSTERE OUTLINES OF THE FORTRESSES AND CHURCHES, THE WITNESSES OF THE MILLENIA IN SILVER, GOLD AND CERAMICS TELL OF THE SKILL AND THE PERFECTION  [ Read More ]

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