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Georgian Fund of Culture

Sep - 30 - 2013
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GEORGIAN FUND OF CULTURE THE LABORATORY FOR FIXATION OF GEORGIAN RELICS OF THE PAST AND HISTORICAL MONUMENTS.

THE MONUMENTS OF THE ANTIQUITY ARE OFTEN CALLED MUTE WITNESSES OF THE PAST. LOOK, ARE THEY MUTE ?!
THEY SPEAK, TALK, NARRATE.
COLOUR HARMONY OF THE ICONS AND FRESCOES, AUSTERE OUTLINES OF THE FORTRESSES AND CHURCHES, THE WITNESSES OF THE MILLENIA IN SILVER, GOLD AND CERAMICS TELL OF THE SKILL AND THE PERFECTION OF TASTE, BEAUTY AND SUBLIMITY OF THE SOUL OF THOSE, WHO HAD CREATED THE GRAND HERITAGE OF ONE OF THE OLDEST CIVILIZATIONS OF THE WORLD.

GEORGIA, OCCUPYING SUCH A SMALL TERRITORY ON OUR PLANET, WAS, FOR AGES, LOCATED ON THE JUNCTION OF THE MOST SIGNIFICANT CIVILIZATIONS OF THE EAST AND THE WEST. BASED ON THE ARCHAEOLOGICAL DATA, IT COUNTS IT HISTORY BEGINNING FROM THE VTH MILL. B. C. THE CREATIVE ENERGY OF THE GEORGIAN NATION ERECTED SIGNIFICANT MONUMENTS OF ARCHITECTURE, BUILT TOWNS. THE COUNTRY, WHICH HAD EMBRASSED CHRISTIANITY EARLY ENOUGH (IVTH C.), IT CONTRIBUTED TO THE RELIGIOUS STRUCTURES, THE FLOUR AND WALLS OF WHICH HAD PRESERVED THE MOSAICS AND FRESCOES OF OLD SKILLED MASTERS.

PHOTOEXHIBITION ,,MONUMENTS OF GEORGIAN CULTURE” WILL ACQUAINT YOU WITH JUST SEPARATE SAMPLES OF THIS VAST HERITAGE OF GEORGIAN CULTURE. PHOTOEXPONENTS, PRESENTED HERE, ARE A RESULT OF THE LONG – TERM WORK OF THE STAFF OF THE LABORATORY FOR FIXATION OF THE MONUMENTS OF ART OF GEORGIA, HEADED BY L. A. TSILOSANI AND O. M. KOBALIANI. THE LABORATORY EXISTS ON THE BASE OF THE MAIN BOARD OF THE PROTECTION OF THE MONUMENTS OF CULTURE OF GEORGIA, THE FACT PRECONDITIONING THE SPECIFIC CHARACTER OF ITS WORK.

DURING THE TWO DECADES THE LABORATORY HAD COLLECTED IN ITS ARCHIEVE 30000 HIGHLY ARTISTIC PHOTOGRAPHS OF THE ARCHITECTURAL MONUMENTS, MURAL PAINTING, MOSAICS, ICONS, OLD MANUSCRIPTS, SCULPTURE AND BAS-RELIEFS, STONE CARVING, CLOISOUNE ENAMELS, OBJECTS OF SILVER, GOLD, CERAMICS, OLD GLASS, ARTISTIC EMBROIDERY, PAINTED CANVASES OF GEORGIAN ARTISTS AND MANY OTHERS.

THE MAIN AIM OF THE LABORATORY FOR FIXATION OF THE MONUMENTS OF ART IS THE CREATION OF A RICH ARCHIEVE (HIGH QUALITY COLOUR SLIDES AND NEGATIVES) IN ORDER TO PRESERVE FOR THE POSTERITY THE BEST SAMPLES OF ANCIENT ART, WHICH ARE NOT ALWAYS SECURED AGAINST DAMAGE.

GREAT ATTENTION IS ALSO PAID TO THE POPULARIZATION OF GEORGIAN ART BOTH IN THE INSIDE AND ABROAD. IT IS FOR THIS PURPOSE, THAT THE LABORATORY PLACES AT THE DISPOSAL OF EVERY EDITOR AND EDITING HOUSE, INTERESTED IN GEORGIAN ART, THEIR SLIDES FOR THE PUBLICATION, PREPARES THE MATERIAL FOR THE ALBUMS, THE MATIC MONOGRAPHS, BOOKLETS, POSTERS, PHOTOSELECTIONS.

Khe

Khe. Svaneti. General view

Vardzia-Fresco

Vardzia. Church of the Assumption of the Virgin. Fragment of the painting. Tze Saviour from the composition of Raising of Lazarus. XII th c.

Icon of the Virgin

Icon of the Virgin. IXth – Xlllth – XVIII th cc. Tsilkani. The State Museum of Fine Arts of Georgia. Tbilisi

40 Martyrs

Painted icon of 40 Martyrs. Early Xllt h c. Ipkhi.
Svaneti Historical and Ethnographical Museum. Mestia

martvili-jvari

Encolpium with the figures of the Virgin and Evangelists. X th c. Martvili.
The State Museum of Fine Arts of Georgia. Tbilisi

st. George piercig a dragon

St. George piercing a dragon. Gold, cloisonne enamel. XV th c.
The State Museum of Fine Arts of Georgia. Tbilisi

safara

Safara. Church of St. Sabbas. XIII th – XIV th cc. General view

stone cross

Stone cross. VII th c. Kachagani.
The State Museum of Fine Arts of Georgia. Tbilisi

st. George

Lenjeri. Svaneti. Church of the Archangel. Fragment of the painting. St. George. XIV th – XV th cc.

golden pendant depicting

Golden pendant depicting a house. III rd c. B. C. Khaishi. The Janashia State Museum of Georgia. Tbilisi

davit gareja

David Gareja. Monastic complex. Refectory. VI th – VII th cc.

ushguli

Ushguli. Svaneti. General view

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